JubileeIt was my first time running the android avatar that Larentia Canis had built me in a crowd, but I was going to by damn be AT Ruth's birthday party, not just watch it on a camera.
She was somewhat awkward to handle at first, no matter how much practice I'd had running her in my home. I called her Metro because Larentia, in a fit of whimsy, had recreated the android from Fritz Lang's Metropolis, with the feminine body and helmet-shaped head and deco styling, only with a dark copper finish. I was sititng in my long distance chair, wearing the control coronet. I was also drugged to the gills. Metro also had all sorts of electronic filters that affected mental powers, but the meds brought me down to a level actually manageable by those filters. I had full physical sensation, just as if I were there, without the mental onslaught of the people around me. I was just me, walking around on the hot sand beach of the remote island where everyone had gathered.
I spent a little time enjoying the feel of the sun warming the metal of my skin and the smell of the ocean and hot sand.
Of all the (few) people who knew me, Suzanne Feldstein found me first. "Renata? Renata Scott?" she said, a brown-haired, middle-aged white woman peering into Metro's eyes inquiringly.
"That's me," I said through Metro's speakers, and offered a hand. "Glad to meet you in the flesh, Suzanne. Well, flesh and metal."
Suzanne shook my hand vigorously. She was dressed in a yellow-floral-print sundress, and the sun was already starting to redden her shoulders. "I'm
so glad you could come. C'mere, let me introduce you around some."
And so I met Simon, and he was
just as fine in person as he was on camera, and if possible, sweeter. "Ms. Scott!" he said, shaking my hand. He was wearing a blue muscle shirt with "TEAM SIMON" on it in block letters and loose black shorts. His hair and Van Dyke were sharply trimmed. "I'm glad to meet you! Oh, I'm glad Mom did such a good job on that android body; it's really gorgeous."
How could I blush at a compliment meant for his mother's handiwork? Don't ask me. "Your mother has been very generous and kind to me over the years. This is only one example."
"She's like that," Simon said, then he stepped back and gestured to someone. "And here's someone who's been wanting to meet you too. Ira, this is Ms. Scott."
"Please," I said, shaking the old man's hand, "both of you, please call me Renata."
Ira beamed at me. He was wearing a big straw hat, a yellow polo shirt, and khaki shorts that showed his pale knobbly knees. He was a little thin and stooped, but otherwise looked younger than his 83 years. "I'm honored to meet you, Renata. You did such a bangup job that night, though I can't imagine it was easy."
"You did a pretty good job yourself, sir," I said.
"Ira," he corrected me.
"Ira," I said, wishing Metro's smile wasn't so very... scary, and that Larentia's attempt at the overlay projection (a la Maria's duplicate) hadn't failed so spectacularly. Someday, I'd be able to smile at people too.
Suzanne, I realized from her movements and her half-empty drink, was already more than a bit tipsy. She reached out and snagged the arm of a mousy, bespectacled white woman in jeans and a t-shirt. "Watson, Watson, come meet Renata."
So there was an orgy of introductions conducted by Suzanne, who was adding every moment to her "sheets to the wind" quotient. I met Watson Holmes, Megan Amazon, Ivy and Malik Canis (each holding a squirming puppy they introduced as belonging to their sister Jasmine -- I wasn't entirely sure what they meant by "belonging", given that the puppies were exclaiming my name delightedly), Ana Hernandez, Flo and Ebb Starr, the Silver Guardian (who was an old friend of Suzanne's apparently), and Sekhmet of the Gold Stars, and... a lot of other people whose names I'd heard but who I'd never met "live" before.
I was glad to be drugged to the gills, honestly. It was the largest crowd I'd been in for over 20 years.
Simon finally, kindly, as the afternoon advanced alarmingly toward evening, led Suzanne off to the buffet tables, saying, "We'll catch you later, Renata," over his shoulder. He winked at me, the little devil.
Left to my own devices, I made my way from the beach, where I'd been trapped by the introduction nexus after arriving there via the teleport link, up toward the line of umbrellas and beach chairs where I spotted Gloria Revelle's lean, solemn face peering around periodically. I figured that wherever Gloria was, Ruth was likely to be.
I was right. Ruth was ensconced in a thronelike wooden beach chair with some colorfully umbrella'd adult beverage in an enormous glass in one hand, grinning like a fool up at me. "You did make a gorgeous thing there, Larentia," she said, glancing up at Larentia, who was standing nearby. Ruth carefully balanced the glass on the arm of the chair, and got up to hug me. I saw Sophie reach out and steady the glass behind her, just as Ruth got me in a careful bear hug.
I leaned Metro's chin on her shoulder and enjoyed the various sensations of a solid, muscular, warm human body in my arms. I loved Ruth for many reasons, not least because for her, hugging one of her friends manifested in an android body was hardly the oddest thing she'd done in the past five minutes. "You look so much better than you did last I saw you, Ruth," I said.
"I feel so much better, Rennie," she murmured, not letting me go yet. "You helped give me back my baby. I won't forget that."
"Hell, Ruth, you gave me my life," I said, not willing to let go, feeling like I'd been in the desert for 20 years and was just getting a small sip of water. It had been so
long since I'd touched a human being, and I can't actually remember when I last hugged someone without immediately being inside her or his head. "I'm glad to give something back. I mean, what do you get the most powerful para on Earth for her birthday anyway?"
We laughed, and finally stepped back a little, but our arms lingered around each other's waists. Ruth gestured around, saying, "You know Gloria, of course."
I shook hands with Gloria, and was amazed to actually see the woman smile. She had a little lopsided smile, with a mostly closed mouth, and I noticed that she had a bit of an overbite -- I suspected that might be why she doesn't smile more often. "Gloria, thank you for everything you've been doing lately with the chef roster. The variety has been really wonderful."
"I thought we could use some new blood in the kitchen," she said in her deep voice and blunt MidAtlantic accents. "You're my lab rat, you know. These are all chefs I try out on you before using them for catering and events."
"Glad to be of service," I said. "Delicious service."
"Here's Olivia," Ruth said, drawing the Fat Lady into the circle. The Fat Lady was wearing a remarkable gauzy white dress that drifted dramatically on the breeze and looked just right with her complexion, and her sleek black hair was caught up under an extravagant white sun hat.
"Renata, I've heard so many good things about you," Olivia said, turning her famous dimples and dazzling smile on me.
I confess to feeling just a little overwhelmed and, well, fangirlish, so I think I managed to mutter something polite and possibly gushed about loving her work before Ruth sicced Sophie on me.
The girl had some of the most intense dark eyes I've ever seen, and even though I technically shouldn't have been able to sense a damned thing about her, I could feel the wheels of her mind turning and turning. It was almost like I could see and feel the clockwork moving through those remarkable eyes. That's what you get from the intimate connection of stuffing someone back into her head, I suppose. There we were, caught in mid-handshake, staring into each other's minds, I think, for what felt like a piece of eternity, before we both shook ourselves and she said, "I've been wanting to thank you for everything you did."
I shrugged. "There were lots of folks who did more than I did."
"Yes, well," Sophie said, flashing a grin. She reached behind her and dragged another white girl her age foward. This one was brown-haired and utterly average in terms of looks and overt charm, but I recognized her.
"Pacifica," I said, shaking her hand. "Glad to meet you outside your head."
She smiled shyly, pressed her lips together and hunched her shoulders a bit. "I'm flattered you remember me, Ms. Scott."
"Renata," I said, thinking,
Girl, how could I possibly forget you? Aloud, I added, "Your arm seems to've healed up nicely."
"It's still stiff," she said, "but Sophie makes good healing accelerators. Even if I did have to spend time in tank full of blue goo. Why was it blue, anyway?" she added, turning to Sophie.
"I didn't want anyone eating it," Sophie said.
"No one would eat
that, it smelled too bad," Nereid said.
Sophie grinned. "You'd be surprised..."
There was a loud crack of lightning overhead, and everyone tensed. Ruth looked up quickly, then rolled her eyes and said to Sophie, "Didn't you give that child an invitation?"
Sophie shrugged. "I did," she said, "but she always prefers to crash." I thought I picked up just a bit of mischief there, as if, perhaps, she'd had some idea in advance.
High above us was a flying stage, limned in neon and flashing lights against the twilit sky. It slowly lowered until it was hovering just above the ocean, with the spectacular painted clouds of sunset sprawling out behind it. Myriad small, hovering robots levitated from the stage and sprang into formation in the air, turning colored spotlights onto the platform. A backdrop of enormous metal struts extruded from the back of the stage, arching up into Gothic points and then blooming into weirdly delicate curlicues that suggested tentacles, or possibly fruit.
"What the hell is
that?" Sister Power said, as though she knew exactly what the hell it was but was a bit afraid of the answer. She crinkled a smile at me, her dark brown face highlighted by a glorious mane of silver hair. I'd forgotten how old she was; she'd gotten her start in the 1970s, so she must be in her 60s by now.
Ruth massaged the bridge of her nose. "It's Sophie's little friend. You remember her, Imara. The one who started a band in college. Calls herself Gogo."
Sophie snorted at this description.
An enormous grinding noise silenced us all and a pillar rose up from the middle of the stage. It appeared to be girdled with a bank of steampunk consoles and quite a lot of flashing lights. The grinding noise stopped, and then, in a burst of music, it flew open, revealing a young white woman whose top was dressed in a silver jumpsuit, and whose lower half was a kickline of seven sets of robot legs. A drum line started. She leapt down to the stage with surprising agility for someone with fourteen legs, and subtle instrumentals started up. She started to declaim in a deep voice that was projected to several points around us.
People keep saying it's the end days,
Skynet's won, we've run the maze.
In the center is Room 101:
Can we boldly go when all is done?
All the things I tried to save
Are just putting flowers on a mouse's grave.
Game over, man, and everybody dies
And there's nothing to eat but lies, lies, lies."I do believe," Gloria said, "we are about to have a concert."
"Oh, god help me," Ruth said, taking the umbrella out of her drink so she could swallow it faster.
A robot guitarist, keyboardist, bassist, and drummer emerged from the surface of the stage, apparently fused to their instruments. I noticed the drummer had long hair so it could swing it back and forth. All of them were silver-skinned, like Gogo's jumpsuit and legs, but with gold accents. Gogo strutted down to the front of the stage (there's a lot of
strut in seven sets of robot legs), seized a microphone that was dropped from above by one of her ubiquitous flying drones, and burst into song with a crash of music.
I won't be just a worker in the heart machine
I'm going to see the light of day.
I'm going to crack the world's shell is what I mean
Put on my wings and fly away.
Everyone asks me am I bad witch or good
Or one of the genetic elite
But I am telling you I'm Lilith's Brood
And we have never known defeat!
We're from Ultima Thule
And we include me and you.
She's the hero we need
Cause she makes us heroes too!"Oh,
no," Ruth groaned, and finished her drink.
Sophie looked contrite. But only a little. Nereid was watching Gogo with her mouth hanging open. An attractive androgynous Asian person appeared over Nereid's shoulder and raised inquisitive eyebrows at Sophie, who said defensively, "It's not my
fault!"
Just living day to day
Learn to rise up and say
She's the hero we need
To sing Hero of Heroes today!
She's the Ultimate test!
In her Prometheus rests,
She's the hero we need
Because we give her our best!I was pretty amazed at the dancing you could do with fourteen legs in perfect unison. At the end of the first chorus, backup dancers also melted out of the stage. I felt distinctly upstaged when I realized that they all looked just like
my android body, except in silver. Talk about embarrassment for wearing the same outfit to the party.
"Hey," Larentia said faintly. She patted my shoulder apologetically.
Gogo spoke into her microphone again.
At Yoshiwara's we'll dance and fight
Always alone in the night,
But reaching out, touch hand to hand,
Galadriel or Servalan.
Is the Slayer really born this way?
Or Sleepless walk both night and day?
Or maybe we'll stand up and see:
You have no power over me.Sister Power said, "None of this makes
any sense. What the hell is a servalan?"
Sophie started laughing helplessly into her hands.
The music kicked up again.
For some reason, Gogo threw her microphone into the audience. Then, with a satisfied little smile, she leaned back and another one sprouted, or seemed to sprout, out of her chest. She grabbed that one and kept singing.
I noticed a middle-aged black woman, oddly wearing a suit on the beach, making her way through the crowd with purpose in her eyes. She didn't even flinch at the volume of the music. I nudged Ruth.
Ruth looked over. "Marilyn, heeeey, girl!" she said, waving her hand. I wondered idly how many of those giant glasses of booze Ruth had already consumed.
The woman, who I now recognized as Marilyn Henderson, lawyer to paras, arrived in front of Ruth with a grim little smile on her face. "Interesting entertainment."
"It's not what I would've chosen, true," Ruth said. "But the girl's got a good heart."
"And is showing a great deal of leg," Marilyn said with a glance upward.
"What're you doing, wearing that penguin suit here on the beach?" Ruth said. "Take that jacket off and set a while."
Marilyn straightened her shoulders in an ominous way that made both Gloria and I tense up. "Ruth Thomas, I am here to give you some important paperwork."
Ruth laced her fingers together and placed them under her chin. "At my birthday party." She didn't make it a question.
"Yes," Marilyn said. She whipped a folder out from under her arm and extended it to Ruth. "It couldn't wait."
Gloria's thin form had risen up and arched in a predatory fashion, inclining very slightly toward Marilyn.
Ruth sighed and took the folder. |
We'll come down like angels on Tokyo
And we don't need roads where we're going.
At the end of the world can you tell me where
And in what way the time is flowing?
I can build my friends but I can't build you
A place for opossums to call their own.
But don't look back, don't blink I'm telling you
It's dhoom again but we are flown!
A hero right through
Like flying snow in bamboo
She's the hero we need
Cause she makes us heroes too!
Take my ansible call
'Cause it's for one and all
She's the hero we need
Cause she makes us stand tall!
She won't be suppressed
Or sent into the West
She's the hero we need
Because we give her our best! |
Gogo chose that moment to distract us all with another spoken piece.
We need a hero that's worth our while
Whether Wonder Woman or Trio-style
So put on your clothes, or dye your hair
And sing electric grandmother
From Alderaan to Whileaway
The winning move is not to play.
They tell us we're beyond the pale
Bionic-made or automail,
Whether you are you or me
Virtual or karakuri
Rise up and greet Red Dawn today
Like Nauscicaa we'll fly away;
To Iskandar we'll fly away;
On ships that sing we'll fly away.And she then started singing again.
Ruth looked back down at the folder in her hands, heaved another sigh, and flipped it open.
I have never before seen Ruth stunned. I'm not sure anyone has. Her whole body jerked and her eyes went wide and she stared fixedly at the papers. Then her hands began to tremble, and Gloria snatched the folder away before those tiny muscular tremors could reduce what she was holding to paper pulp.
Sophie had moved to stand at Ruth's shoulder, and I noticed her giving Marilyn what I sensed was a conspiratorial and questioning look. Marilyn's smile widened incrementally.
The thing about Ruth is that she is the most powerful para in the world. And so the fact that none of us saw her move is just not that surprising. The look on Sophie's face changed to triumphant delight as Ruth threw her arms around her, though.
"You two!" Ruth roared, only locally drowning out Gogo's band. "You two!" she said again, apparently at a loss for other words.
"What's going on?" asked Imara, peering curiously over Gloria's shoulder.
Gloria said, mock-grumpily, "That girl finally pulled her head out of her ass is what's going on."
Sophie said, breathless with embarrassment and her mother's embrace, "My adoption papers. I signed them." |
She's returned from the blue
And Zaha'dum too--
She's the hero we need
Cause she makes us heroes too!
Dark Lords big and small
We will spit on them all
She's the hero we need
Cause she makes us stand tall!
Stand tall, stand tall, stand tall
Stand tall, stand tall, stand tall
Stand tall, stand tall, stand tall... |
Gogo's army of tiny flying robots, which looked, I noticed, like dragonflies, chose that moment to shower us with her new album.
Larentia caught one and so did I. The cover was a brown-skinned woman's arm, reaching up as if to pluck a fruit from a tree, but the fruit was a giant oval containing a twisty, maze-like structure. To give Ruth and Sophie a moment of pseudo-privacy, Larentia began to read from the cover. "'Mitochondrial Eve,'" she said. "I like the title."
I overheard some people passing nearby. One of them said, "I liked her second album the best, 'Amazon Women and the Space-Time Continuum'."
The other said, "Oh, I haven't heard of that one."
"It was back when she was Gogo and the Gadgettes," the first said, and they drifted out of hearing.
"'My Mother's Positronic Brain,'" Larentia read from the track list bemusedly. "'Dear Mr. Heisenberg.' 'Cyborg Manifesto'?"
I skimmed down the list myself. "'Bad Chemistry,' 'Soylent Blue,' 'Love Me and Despair'."
Gloria said, with a roll of the eyes, "Anyone else get the feeling that child is trying too hard?"
Nereid, who I had forgotten, said wistfully, "She looks like she's having fun."
On stage, Gogo had swung into her well-known song, "A Robot of One's Own."
The well-tailored Asian person to whom I really needed an introduction said, "There's a dance floor over there, Pacifica. Would you care to join me?"
Later, around the time that Sophie was finishing up her guitar-playing on-stage with Gogo (oh, yes, she'd just
happened to have her guitar with her), I overheard Suzanne saying to Watson, "Is this your work? Remind me never to piss you off!"
I looked over and saw Suzanne showing Watson her StarPhone. Watson frowned down at it, clearly puzzled. "No," she said after a moment, "that's not my work."
Suzanne noticed Metro looking her way, so she turned the display toward me. "'Aloysius MacCready, legally 93 years old,'" I read aloud, "'has been arrested on a charge of second-degree murder and multiple charges of armed robbery, among other offenses. MacCready was processed for a temporal displacement grant upon his return to this dimension, and had disappeared from his stated address. More in-depth analysis of historical records found that in 1932, he participated in an armed robbery of a bank for African-Americans during which he pistol-whipped a bank teller. The teller, 26-year-old Norman Jefferson, later died of the head trauma.'"
"I know the statute of limitations doesn't expire for murder," Suzanne said. "And the temporal displacement laws extend the limitation for the armed robbery charges. But the witnesses must all be dead, so how can they prosecute?"
Watson skimmed more of the article. "They had eyewitnesses who knew MacCready by name and appearance, and who gave depositions identifying him. So with that in hand, they could use the Stefanopolous Laws."
Ana had looked over from her conversation when I started to read, and now she spoke up with, "I think I've heard of the Stefanopolous Laws, but I've never been sure what they're about."
Suzanne said, breezily, "Watson'll have to explain. I'm too drunk. But they involved a vampire."
Watson quirked a smile. "Andrei Stefanopolous was a vampire who was a repeat spree killer. He was notorious in Europe in the late 1700s and early 1800s, and then he moved to New York City. They caught him after a rampage through an Italian and Greek neighborhood in the 1880s, but of course, there weren't para-ready prisons then, and he escaped to go underground again. He resurfaced in the same neighborhood 1952, and the grandchildren of the original people victimized went to the police with the photos from the 1800s and their own photos of him in the neighborhood, begging police to pick him up. They didn't -- all the original witnesses were dead and it seemed like too much trouble and besides, there weren't many people who actually believed in vampires at that point. So then he went on a much wider-spread killing spree."
"Oh, yes, the Vampire Murders," Ana said. "That's all in the college para history books."
"Yep," Watson said. "And after they caught him and the Gold Stars imprisoned him, the story broke that the police had refused to pick him up and why. So the Stefanopolous Laws were passed in a hurry to cope with immortal or temporally displaced violent offenders."
"Technically," a sleek, black-haired, white -- very white -- man said, sliding easily into the conversation and gently twirling his black parasol, "it is for the long of life, not the immortal. Because no one is
truly immortal, yes?" He had an eastern European accent and what had to be a hand-tailored white linen suit. He was also the only person I'd ever seen wearing a Panama hat on whom it looked
stylish.
Watson nodded and waved a hand of acknowledgement. "You're the authority there, Zoltan."
"Zoltan," Suzanne said in that floppy-headed drunk way some white women have, "it's night time.
Why are you carrying that parasol?"
"Ah, dear lady," he said, "to protect against the bites of sharks."
"Oh," Suzanne said, blinking.
"Not to mention robots," he added, "and other undesirable things that fall from the sky."
"So what will happen to this MacCready anyway?" Ana pursued, having produced a StarPhone of her own and apparently searching for the article.
"He's being held in prison," Watson said. "Apparently some anonymous person provided the police with both his DNA and a single-use scanner to locate it, because he has para powers that enable him to avoid direct detection." She looked up and past the dance floor and nearest buffet table toward a line of well-occupied comfortable chairs.
I glanced in that direction and saw Sophie sitting there, with Nereid on her lap, chatting with Simon and Ivy.
"Who could've supplied a device like that?" Ana pondered, frowning at her phone.
Watson and I looked at each other, then back at Sophie. Sophie noticed our regard and gave us a smile and a little finger wave, as if she knew
exactly what we were thinking.
---
Note from the Author:
Apologies if the table format didn't work well for you -- I optimized for what I thought would be a usual sort of view.
Gogo's song was written as a winter holiday present for me by my multiply-gifted, brilliant, beautiful, magnificent wife. I had been banging my head against how to do it, and then she volunteered. I don't think I've ever seen quite so many SF&F references packed into one place so effectively, and I think it also works beautifully as a pop song. (And yes, Lady Gaga DOES exist in the Wonder City universe, so Gogo IS in fact purposefully referencing her.) See this document (PDF) for most of the references.
Also, in case you're interested, the full track list for Gogo's new album, "Mitochondrial Eve", contains:
My Mother's Positronic Brain
Mitochondrial Eve
Dear Mr. Heisenberg
Cyborg Manifesto
Les Guérillères
Bad Chemistry
Soylent Blue
To Milton, Love, the Monster
Ultima
Love Me and Despair
The Doom Song
I Can't Be Having With This
Bonus Track: Schoolhouse Rock Mashup (feat. "Sufferin' for Suffrage")
---
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